Poetry is one form of love. It is difficult to disagree with the above statement, especially when it comes to the love lyrics of such a classic of Russian literature as Afanasy Fet. Poems about love were his companions not only in his youth, but also in his advanced years. What prompted the poet to create lines that are now known to many, and how does Fet's works stand out among others?
Fet's love lyrics: background
It is unlikely that anyone will argue with the fact that love is the most powerful catalyst for poetry. Not a single poetic masterpiece was written from scratch. The authors were driven by both a fleeting love and a feeling carried through a lifetime. In the life of Afanasy Fet, both the first and the second were present. But the key role in Fet's love poems still belongs to Maria Lazich. It is to her that one of the most famous works of the poet is dedicated - “Whisper, timid breathing”.
Fet fell in love more than once, but only a feeling for Maria Lazich was always with him. He dedicated poems to this woman both during the relationship, and when there was no longer any hope of seeing her. Fet met Maria while serving in the garrison near Kherson. The girl was from the family of an impoverished retired military man. Maria then turned 22, and Fet - 28. Lazich was considered an educated young lady and, even before meeting with the poet, she was well acquainted with his work. Maria was not one of the dazzling beauties, but soon after they met, Fet recognized her as a kindred spirit. However, the lack of funds for both prevented a reunion.
Correspondence continued for some more time, but, in the end, Fet initiated a complete break. In 1850, the poet was struck by terrible news: Maria died. The girl's dress accidentally caught fire. She died from her injuries a few days later. It is difficult to say whether it was a suicide or an absurd accident, but Maria died with the words: "He is not to blame ...".
Love in the works of Afanasy Fet
The story described above left a considerable mark in Fet's love poems. Moreover, without knowing this background, it is difficult to understand the full depth of his works. So, in addition to a sense of hope and hope, there is a fair amount of tragedy in them. For the sake of circumstances, Fet refused love, but his works clearly show that in fact the feeling for that one did not leave him even in his advanced years. This is well evidenced by the famous "Evening Lights", collections that were written by Fet, who was already on the slope of his life.
Poems about love, written by a classic, are full of love-experience, merged with the image of nature. At the same time, many works are the embodiment of the memory of Mary. The motives of punishment and guilt give a tragic connotation to this lyrics. Emphasizing the latter, Fet sometimes calls his lyrical hero "the executioner." The only way to atone for guilt is death. Not without reason, in one of the questionnaires, the poet admitted that he would like to live "the least long."
In addition, Fet's love poetry is characterized by a persistent motif of burning, which undoubtedly has some connection with the circumstances of Lazich's death. For example, the poem “Don’t wake her up at dawn” begins with a description of the girl’s quiet and peaceful sleep, but at the end, terrible words await: “Here a man burned down!”.
As a result, Fet's lyrics clearly show the opposition of images - the lyrical heroine and the hero. The first died long ago, but lives in the memory of the hero and his poems, the second is alive, but dead in his soul. The image of Lazich became a moral ideal for the poet, and his life turned into a desire for this ideal, in the hope of reuniting with it. Therefore, in the works of Fet, earthly life is often painted in dark colors, while heavenly life is dazzlingly bright. Female beauty for him is like nature, and the contemplation of a beloved woman is comparable to admiring nature.
According to many researchers, Fet's love poems are the only area of \u200b\u200bit of his work where the life impressions of this master of the word are fully reflected. That is why these works are so different from the rest. They lack that incredible feeling of happiness in life and joy that can be traced in the landscape lyrics of the classic. The cycle of works dedicated to Lazich covers almost 4 decades. It included many poetic miniatures: “An irresistible image”, “You suffered ...”, “Old letters”, “For a long time I dreamed of screams ...”, “No, I have not changed ...”, etc.
Fet belongs to that amazing category of poets who, by telling about their experiences, awaken in readers their love and their memories. His poems can be compared with a bow that awakens the music of thoughts and feelings.
The greatest poet of his time, Afanasy Afanasyevich Fet, pays great attention to the theme of love. So, in his works, Fet presents us with a lyrical hero who has a fine mental organization. The writer in his works uses the technique of parallelism: the mood of the lyrical hero, his feelings and emotions, which are often reflected in nature. Nature for him is part of a bright feeling. Fet is convinced that all these feelings and the variety of colors that are present in love are also characteristic of nature.
love lyrics Feta is something magical and unearthly. In his poems, he describes love as a warm and bright feeling, reflecting it in endless variety. He believes that love is a feeling that never fades and remains for a long time in the memory of each of us. Often, the author's works take the form of memories. So, for example, in his poem “The night shone. The garden was full of moon. Afanasy Afanasyevich Fet endows the lyrical hero with memories. this work The author has his own history. So, the poet, having heard songs performed by Tatyana Bers, finds a muse in her. Tatyana made his heart experience love, which he spoke about in his poem. Fet writes about love, which, by chance, turned out to be unfulfilled. The author, conveying everything through the lyrical hero, tells about his condition.
From the first lines we learn that the poet is full of experiences, he is endowed with memories of the past, which, unfortunately, torment him. Describing the beloved who plays with the strings of the instrument, he draws a certain line between the human heart and the strings of the instrument. He wants to hear the voice of his beloved, but, alas, he cannot ... Reading the poem, readers are more and more immersed in Fet's love lyrics, which are filled with memories and experiences.
In his work, the great poet Afanasy Afanasyevich Fet describes love in all its glory. Most likely, the life of the poet was open to sincere feelings and warm memories that excited Afanasy Afanasyevich. Surely the author is convinced that such a bright feeling should be represented in the whole gamut of feelings. With great zeal, he conveys to each person the feelings of a lyrical hero, makes him empathize with him. In his works, he tries to get into the soul of the reader and permanently settle his thought there, which affects the most beautiful feeling in the world - love. After all, love is a feeling of emotional affection that every person on Earth has experienced. In the eyes of Afanasy Afanasyevich Fet, love is something that is never forgotten and makes us remember everything that happened at a certain moment of happiness associated with love. Reading his works, the reader is immersed in reasoning, penetrates and understands the views of the poet. All his work is easy to understand and leaves a lasting impression.
Composition The theme of love in the lyrics of Fet
Afanasy Afanasyevich Fet was a famous Russian poet, he wrote his first collection in 1840, and its name was "Lyrical Pantheon". In 1860, when the peace of the people was disturbed by the revolution, Afanasy Afanasyevich took the side of the landowners. Fet stops writing and returns to his work only in his declining years and publishes four collections and releases them under the same name “Evening Lights”.
Afanasy Afanasyevich is an unusual writer, his poems are musical and touch every note of the heart. Fet's lyrics are filled with love and this one distinguishing feature from everyone. Tragic love played an important role in his lyrical poems. Afanasy Afanasyevich was in love with a very smart girl named Maria Lazich. Love for her inspired the writer, but it all ended in tragedy. For unknown reasons, the girl died, and Afanasy Afanasyevich Fet until the end of his days felt guilty because of her death.
Afanasy Afanasyevich was a cold and calculating man, but in his works he so beautifully lyrically described the feeling of love that many did not believe in it. After the death of Lazich, Fet's sense of guilt is so great that this is some kind of impetus for Afanasy Fet's dual world. Perhaps that is why in real life he is impregnable and cold, and in his works his heroes are lyrical and they are overwhelmed with a feeling of love.
Afanasy Afanasyevich wrote many poems about his love and separation from Maria Lazich. In poems, he says that she has already suffered, and he still has to, toils on this earth. All his life he hoped for a reunion with his beloved and carried her a sensual and strong love.
Afanasy Afanasyevich lived by his poetry and it was a completely different world for him, in which he wanted to show all the beauty of lyrical heroes. Afanasy Afanasyevich wanted to show all readers how much you can change the world if you fill it with love.
Fet wrote about lost love and how he misses his beloved, and he wants to meet her soon. He devoted many works to his sincere, bright feelings. Afanasy Fet in his poems wrote about Mary as a living girl.
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From the section "Love lyrics of poets of all times and generations".
*.....*
...*
Athanasius Fet
(1820-1892)
If you love like me, endlessly
If you live with love and breathe,
Put your hand on my chest carelessly:
You can hear the heartbeat under it.
Oh don't count them! in them, by magical power,
Every impulse is filled with you;
So in the spring behind the healing stream
Spins moisture in a hot stream.
Drink, indulge in happy minutes, -
The thrill of bliss will embrace the whole soul;
Drink - and do not ask with an inquisitive eye,
Will the heart dry up soon, cool down.
*.....*
...*
Athanasius Fet
The night shone. The garden was full of moonlight. lay
Beams at our feet in a living room with no lights.
The piano was all open, and the strings in it were trembling,
Like our hearts for your song.
You sang until dawn, exhausted in tears,
That you are alone - love, that there is no other love,
And so I wanted to live, so that, without dropping a sound,
Love you, hug and cry over you.
And many years have passed, languid and boring,
And in the silence of the night I hear your voice again,
And blows, as then, in these sonorous sighs,
That you are alone - all life, that you are alone - love,
That there are no insults of fate and hearts of burning flour,
And life has no end, and there is no other goal,
As soon as you believe in sobbing sounds,
Love you, hug and cry over you!
*.....*
...*
Athanasius Fet
What happiness: both the night and we are alone!
The river is like a mirror and all glitters with stars;
And there ... throw your head back and take a look:
What depth and purity above us!
Oh, call me crazy! Name
Whatever you want; at this moment I'm weakening my mind
And in my heart I feel such a surge of love,
That I can’t be silent, I won’t, I don’t know how!
I'm sick, I'm in love but, suffering and loving -
Oh listen! oh understand! I don't hide my passion
And I want to say that I love you -
You, you alone I love and desire!
*.....*
...*
Athanasius Fet
Don't avoid; I don't pray
No tears, no heart of secret pain,
I want freedom for my anguish
And repeat to you: "I love you."
I want to rush to you, fly,
Like waves on a plain of water,
Kiss the cold granite
Kiss and die!
*.....*
...*
Athanasius Fet
No, I haven't changed. To deep old age
I'm the same devotee, I'm a slave to your love
And the old poison of chains, sweet and cruel,
Still burning in my blood
Although memory insists that there is a grave between us,
Though every day I wander languidly to another, -
I can't believe that you forget me
When you are here in front of me.
Will another beauty flash for a moment,
It seems to me that I'm about to recognize you;
And tenderness of the past I hear a breath,
And, shuddering, I sing.
Athanasius Fet
Just meet your smile
Or I will catch your gratifying glance, -
It is not for you that I sing a song of love,
And your beauty is indescribable.
They say about the singer at dawn,
Like a rose with a love trill
He is glad to praise incessantly
Above her fragrant cradle.
But silent, magnificently pure,
Young mistress of the garden:
Only a song needs beauty
Beauty does not need songs.
*.....*
...*
Athanasius Fet
I came to you with greetings
Say that the sun has risen
What is hot light
The sheets fluttered;
Tell that the forest woke up
All woke up, each branch,
Startled by every bird
And full of spring thirst;
Tell that with the same passion
Like yesterday, I came again
That the soul is still the same happiness
And ready to serve you;
Tell that from everywhere
Joy blows over me
I don't know what I will
Sing - but only the song matures.
*.....*
...*
Athanasius Fet
Cheeks glow with scarlet heat,
Sable is covered with frost,
And breathing light steam
It flies from your nostrils.
Daring curl in punishment
Turned gray at sixteen...
Isn't it time for us to ride? -
Warmth and light awaits at home -
And start talking
Until dawn about love? ..
And frost your patterns
On the glass will write again.
*.....*
...*
Athanasius Fet
You tell me: I'm sorry!
I say goodbye!
You say don't be sad!
I'm plotting confessions.
It was a wonderful evening yesterday!
For a long time he will be in sight;
Everyone - only we do not have time;
The flame fades in the fireplace.
Well, what is this look for?
Where is my bitter cold?
Am I glad of your sadness?
Know I'm haughty and young?
Why did you sigh? bloom -
The purpose of the age-old creation;
You tell me: I'm sorry!
I say goodbye!
Fet and Maria Lazic
The greatest love of Fet's entire life was Maria Lazich - the daughter of a poor Kherson landowner, a dowry girl (the real name of the girl / of Serbian origin / became known only in the 20th century: in her memoirs, Fet calls her Elena everywhere).
Fet met Maria Lazich in the fall of 1848, when he was in military service and lodged with his regiment in the Kherson province. The love was mutual, and the relationship continued for several years. However, Fet, referring to the poverty of Mary and his own material insecurity, refuses marriage, believing that marriage will become an obstacle to his career. “I am not marrying Lazich, and she knows this, but meanwhile she begs us not to interrupt our relationship ...
This is the Gordian knot of love ... which the more I tighten, the tighter I tighten, but I don’t have the spirit and strength to cut it with a sword ... ”(from a letter).
Maria Lazich had outstanding musical abilities: the famous Hungarian composer and pianist Franz Liszt heard her play during his stay in Russia and, as a token of approval, wrote a farewell musical phrase of extraordinary beauty in Maria Lazich's album.
Maria Lazich became the heroine of the love lyrics of Afanasy Fet. When Fet met Lazich, she was 24 years old, and he was 28. Fet saw in Maria Lazich not only an attractive girl, but also an extremely cultured person, musically and literary educated.
Fet is also guided by the calculation in his relationship with his beloved Maria Lazich - having fallen in love with Maria Lazich, Fet, however, broke up with his beloved. Reason won, he did not dare to connect fate with a poor dowry girl. Here such a feature of Fet manifested itself: in everyday life, his practical reason prevailed over feeling, and in verse, feeling, immediacy, captivity prevailed over reason.
Maria Lazich turned out to be close to Fet in spirit - not only in heart. But she was as poor as Fet. And he, deprived of a fortune and a solid social foundation, did not decide to link his fate with her. Fet convinced Maria Lazich that they needed to leave. Lazich agreed in words, but she could not break off relations. Nor could Fet. They continued to meet. Soon, Fet had to leave for a while due to official needs. When he returned, terrible news awaited him: Maria Lazich was no longer alive.
Lazic tragically died under mysterious circumstances. Since then, her image will enter his poetry, giving love poems confession, tragedy. From now on, Fet will remember this love all his life: he will create a cycle of confessional poems dedicated to Lazich.
As Fet was told, at that tragic hour she was lying in a white muslin dress, reading a book. She lit a cigarette and threw the match on the floor. The match continued to burn. Her muslin dress caught fire. In a few moments, the girl was all on fire. It was not possible to save her. Her last words were: "Save the letters!". And she also asked not to blame the one she loved for anything ...
After the tragic death of Maria Lazich, Fet comes to the full realization of love. Love unique and unique. Now he will remember all his life, will speak, and sing about this love - high, beautiful, amazing verses.
... That grass that is far away on your grave,
here in the heart, the older it is, the fresher ...
This misfortune left an indelible imprint on the life and work of the poet. Poems in which "she" is present are covered with tragedy and melancholy. Together with Maria Lazich, his ideal, which now sounded only in verse - memories of her, also perished.
From now on, I will feed his love lyrics with dreams and memories (Alter Ego, etc.). There are no psychological portraits or individuality in these poems - Fet is interested in the experiences of people, but not the people themselves (“What happiness: both the night and we are alone! ..”, “What a night! The transparent air is shackled ...”, “ I won't tell you anything..." etc.).
The poem “No, I have not changed. Until deep old age...” does not describe or show the person to whom it is addressed. But from the lines of the poem, we understand that it is dedicated to Maria Lazich.
No, I haven't changed. To deep old age
I am the same devotee, I am the slave of your love.
We see that until the end of her life, Maria Lazich remained his only love.
The masterpieces of Fet's love lyrics, dated to the 50s, 60s, 70s, 80s, are dedicated to her memory. (“An irresistible image”, “Old letters”, “In the silence and darkness of a mysterious night”, “You suffered, I still suffer”, “For a long time I dreamed of your cries of sobs”, “No, I have not changed. Until deep old age ...” and others).
A.A. Fet is a refined lyricist, endowed with an exceptional sense of beauty and a genius talent. The main mood of Fet's poetry is the mood of spiritual uplift. Intoxication with nature, love, art, memories, dreams - the main emotional content of his poems.
The love theme for Fet is especially significant. The feeling for a woman becomes all-consuming for the lyrical hero. Love makes it possible to experience inexpressible delight. However, the originality and strength of Fet's love lyrics is not in a psychological portrait, not in an individual characterization. The poet does not seek to recreate the image of his beloved woman. He is not interested in the people themselves, but in their experiences. In verses only moments of feeling are given, there is no development of it. The poet captures the moments of a love affair. In the poem "What a night! The transparent air is shackled ... ”the lyrical hero at the hour of the meeting only languished with the consciousness that he was loved, but he did not love:
You waited, you longed for recognition -
I was silent: I did not love you.
But since the last date, everything has changed:
But now that I'm trembling and thrilled
And, like a slave, I catch your every look,
I don't lie when I call you mine
And swearing that I love you!
Fet does not try to explain this sudden change, to trace how the feeling has changed, he only compares two contrasting experiences.
The main cycle of Fet's love poems is dedicated to Maria Lazich. Their romance ended in separation, which was soon followed by the death of the girl. Memories of this tragic love have not lost their sharpness for Fet over time. Therefore, in most of his love poems, verbs are used in the past tense. The lyrical hero lives in the past, memories, "it was tenderness." In the poem “No, I have not changed. To deep old age ... ”he admits:
And the old poison of chains, sweet and cruel,
Still burning in my blood
The feeling for the untimely departed beloved woman continues to give inspiration:
And, shuddering, I sing.
Like any true poetry, Fet's poetry summarizes what the poet himself experienced. In his love poems opens Big world experiences that each person has. So, the poem “The night was shining ...” is not only about Fet's feeling for the sweet young T. Kuzminskaya, but about high human love in general. In terms of meaning, this lyrical play can be divided into two parts. The first two stanzas are memories of the intensity of the love feelings of the lyrical hero. The third and fourth stanzas are about his new meeting with his beloved and about the return of lost happiness. The poem "The night shone ..." gives rise to vivid pictures in the imagination. The darkened living room is vividly presented, behind its windows is a garden full of night freshness, moonlight. Sounds magical music and a wonderful voice:
The piano was all open, and the strings in it were trembling,
Like our hearts for your song.
A poetic story about a love story strikes with liveliness and emotionality. It is no coincidence that the poet uses many verbs in the poem. In the first part they are used in the past tense, but in the second - in the present. This gives dynamics to the lyrical narrative, the verses accelerate exactly, the emotional tension grows and reaches its climax:
That there are no insults of fate and hearts of burning flour,
And life has no end, and there is no other goal,
As soon as you believe in sobbing sounds,
Love you, hug you and cry over you...
The last four lines are the musical, emotional, and semantic completion of the poem. This is the last and highest point lyrical story. Fet has both “sobbing sounds”, and love, and a woman together. All of these are phenomena of beauty. To believe in beauty, to sing about it is the high happiness of the poet and the highest goal of his work.
Another famous poem by Fet about love is “Whisper, timid breathing ...” This miniature is about the beauty of night nature, about love, the subtlest feeling, inexpressibly strong. There is no image of a lyrical hero in the work. This technique helps to create the feeling that we have before us a poetic story about the love of the eternal Romeo and Juliet. The poem is built on one nominal sentences. It does not contain any verbs. A kind of chain of objects and phenomena grows before us, which are called one after another: a whisper - a timid breath - a nightingale's trills, etc. But this work still cannot be called objective and material. The objects in Fet's poem do not exist by themselves, but as signs of feelings and states. And these peculiar symbols evoke certain associations in the reader. So, roses, the singing of a nightingale, night light - all these are attributes of a romantic date for lovers. Gradually, from the sounds, the breath of the night, the reflections of the stream, a “sweet face” appears in its “magic changes”. A date with a loved one conceals happiness and sweet suffering: “And kisses, and tears ...” A long, all-night meeting and cordial intimacy ends with inexpressible delight: “Dawn, dawn! ..” the last words are not heard in a row of others, but highlighted . Dawn is not just another phenomenon, but a “strong” metaphor and a “strong” ending. In the context of the poem, dawn is the highest expression of feeling, the light of love. “Whisper, timid breathing…” is a very beautiful and reverent work. It is one of the best examples of Fet's love lyrics.
Fet's best poems are about the beauty of a woman, love, reciprocity, about what fills the soul with happiness. These works entered the golden fund of Russian poetry. They amaze with emotionality, bright sadness and joy, a kind of transmission of the subtlest shades of spiritual life.
This essay was written by teachers and was included in the "cheat sheet-2003 from BOBYCH.SPB.RU" for the final exam in literature.
The theme of love is one of the components of the theory of pure art, most widely reflected in Russian literature in the poems of Fet and Tyutchev. This eternal theme of poetry, nevertheless, found its new refraction here and sounded somewhat new. Saltykov-Shchedrin wrote in the 1970s that now no one would dare to sing about nightingales and roses. For Fet, the theme of love, on the contrary, was fundamental to all his work until the end of his life.
The creation of beautiful poems about love is explained not only by the divine gift and the special talent of the poet. In the case of Fet, it also has a real autobiographical background. The inspiration for Fet was the love of his youth - the daughter of a Serbian landowner Maria Lazic. Their love was as high and inextinguishable as it was tragic. Lazic knew that Fet would never marry her, nevertheless, her last words before her death were the exclamation: "It's not his fault, but me!" The circumstances of her death have not been clarified, as well as the circumstances of Fet's birth, but there is reason to believe that it was suicide. The consciousness of indirect guilt and the severity of the loss weighed on Fet throughout his life, and the result of this was a two-world, something akin to the two-world and Zhukovsky. Contemporaries noted the coldness, prudence and even some cruelty of Fet in Everyday life. But what a contrast this makes with another world of Fet - the world of his lyrical experiences, embodied in his poems. All his life, Zhukovsky believed in connecting with Masha Protasova in another world, he lived with these memories. Fet is also immersed in his own world, because only in it is unity with his beloved possible. Fet feels himself and his beloved (his "second self") inseparably merged in another being, really continuing in the world of poetry: "And although I am destined to drag out life without you, we are with you, we cannot be separated." ("Alter ego".) The poet constantly feels spiritual closeness with his beloved. About this poem "You suffered, I still suffer ...", "In the silence and darkness of the mysterious night ...". He makes a solemn promise to his beloved: "I will carry your light through earthly life: it is mine - and with it a double being" ("Tediously inviting and in vain ...").
The poet directly speaks of "double being", that his earthly life will help him endure only the "immortality" of his beloved, that she is alive in his soul. Indeed, for the poet, the image of a beloved woman throughout his life was not only a beautiful and long-gone ideal of another world, but also a moral judge of his earthly life. In the poem "Dream", also dedicated to Maria Lazich, this is felt especially clearly. The poem has an autobiographical basis, Fet himself is easily recognized in lieutenant Losev, and the medieval house where he stayed also has its prototype in Dorpat. The comic description of the "club of devils" is replaced by a certain moralizing aspect: the lieutenant hesitates in his choice, and he remembers a completely different image - the image of his long-dead beloved. He turns to her for advice: "Oh, what would you say, whom I dare not name with these sinful thoughts."
Blagoi, a literary scholar, in his research points to the correspondence of these lines to Virgil's words to Dante that "as a pagan, he cannot accompany him to paradise, and Beatrice is given to him as a companion." The image of Maria Lazich (and this is undoubtedly her) for Fet is a moral ideal, the whole life of the poet is the pursuit of an ideal and the hope of reunion.
But Fet's love lyrics are filled not only with a sense of hope and hope. It is also deeply tragic. The feeling of love is very contradictory, it is not only joy, but also torment, suffering. In poems, such combinations as joy - suffering, "bliss of suffering", "sweetness of secret torment" are often found. The poem "Do not wake her at dawn" is filled with such a double meaning. At first glance, we have a serene picture of the girl's morning sleep. But already the second quatrain communicates some kind of tension and destroys this serenity: "And her pillow is hot, and her tiring sleep is hot." The appearance of "strange" epithets, such as "tiring sleep", no longer indicates serenity, but some kind of morbid state close to delirium. Further, the reason for this state is explained, the poem comes to a climax: "She became paler and paler, her heart beat more and more painfully." The tension grows, and suddenly the last quatrain completely changes the picture, leaving the reader at a loss: "Don't wake her, don't wake her, at dawn she sleeps so sweetly." These lines present a contrast with the middle of the poem and return us to the harmony of the first lines, but already on a new turn. The call "don't wake her up" sounds almost hysterical, like a cry from the heart. The same impulse of passion is felt in the poem "The night was shining, the garden was full of moon ...", dedicated to Tatyana Bers. The tension is emphasized by the refrain: "Love you, hug and cry over you." In this poem, the quiet picture of the night garden is replaced and contrasts with the storm in the poet's soul: "The piano was all open and the strings in it trembled, like our hearts for your song."
"Tedious and boring" life is opposed to the "burning torment of the heart", the goal of life is concentrated in a single impulse of the soul, even if it burns to ashes in it. For Fet, love is a fire, just like poetry is a flame in which the soul burns. "Is it possible that nothing whispered to you at that time: a man burned down there!" - Fet exclaims in the poem "When you read the painful lines ...". It seems to me that Fet could also say about the torment of love experiences. But once "burned out", that is, having experienced true love, Fet is nevertheless not devastated, and all his life he retained in his memory the freshness of these feelings and the image of his beloved.
Fet was once asked how, at his age, he could write about love in such a youthful way? He replied: from memory. Blagoy says that "Fet is distinguished by an exceptionally strong poetic memory", and cites as an example the poem "On the Swing", the impetus for writing which was a memory 40 years ago (the poem was written in 1890). “Forty years ago, I was swinging with a girl, standing on a board, and her dress crackled in the wind,” Fet writes in a letter to Polonsky. Such a "sound detail" (Good) as a dress that "cracked in the wind" is the most memorable for the poet-musician. All Fet's poetry is built on sounds, overflows and sound images. Turgenev spoke about Fet, what a poem expects from him, last lines which will have to be conveyed only by a silent movement of the lips. A striking example is the poem "Whisper, timid breathing ...", which is built on the same nouns and adjectives, without a single verb. The commas and exclamation mark also convey the splendor and tension of the moment with realistic concreteness. This poem creates a dotted image, which, when viewed closely, gives chaos, a "series of magical" elusive "changes" for the human eye, and in the distance - an accurate picture. Fet, as an impressionist, bases his poetry, and in particular the description of love experiences and memories, on the direct fixation of his subjective observations and impressions. The thickening, but not the mixing of colorful strokes, as in the paintings of Monet, gives the description of love experiences a climax and the utmost clarity of the image of the beloved. What is she?
"I know your passion for hair," says Grigoriev Fet about his story "Cactus". This passion is manifested more than once in Fetov's poems: "I love to stare at your long lock", "golden curled fleece", "braids with a heavy knot", "a lock of fluffy hair" and "braids with a ribbon on both sides". Although these descriptions are somewhat general, nevertheless, a fairly clear image of a beautiful girl is created. Fet describes her eyes a little differently. Either this is a "radiant gaze", then "motionless eyes, crazy eyes" (similar to Tyutchev's poem "I knew the eyes, oh these eyes"). "Your gaze is open and fearless," writes Fet, and in the same poem he speaks of the "thin lines of the ideal." Favorite for Fet - a moral judge and ideal. She has great power over the poet throughout his life, although already in 1850, shortly after the death of Lazich, Fet writes: " Perfect world mine has been destroyed for a long time." The influence of a beloved woman on the poet is also felt in the poem "For a long time I dreamed of your sobs." and “cold shivering,” which he endured forever in “sleepless nights.” This poem is painted in Tyutchev's tones and absorbs Tyutchev's drama.
The biographies of these two poets are in many ways similar - both of them survived the death of their beloved woman, and the immense longing for the lost gave food for creating beautiful love poems. In the case of Fet, this fact seems the strangest - how can you first destroy a girl, and then write lofty poems about her all your life? It seems to me that the loss made such a deep impression on Fet that the poet experienced a kind of catharsis, and the result of this suffering was the genius of Fet - he was admitted to the high sphere of poetry, all his description of favorite experiences and a sense of the tragedy of love affects the reader so strongly because that Fet himself experienced them, and his creative genius clothed these experiences in poetic form. Only the power of poetry could convey them, following Tyutchev's saying: the thought uttered is a lie, Fet himself repeatedly speaks of the power of poetry: "How rich I am in crazy verses."
Fet's love lyrics make it possible to penetrate deeper into his general philosophical, and, accordingly, aesthetic views, as Blagoy says, "in his solution of the fundamental question of the relationship between art and reality." Love, like poetry, according to Fet, refers to something else, the other world, which is dear and close to Fet. In his poems about love, Fet acted "not as a militant preacher of pure art, as opposed to the sixties, but created his own and intrinsically valuable world" (Blagoy). And this world is filled with true experiences, spiritual aspirations of the poet and a deep sense of hope, reflected in the poet's love lyrics.
