Blok A.A. in his creative process, he always retained the foundations of symbolism, however, his first poems carried a strongly demonstrative, rebellious, patriotic, communist, rebellious character.
In 1905 A.A. Blok inscribed the verse "The girl sang in the church choir" during the coming fratricidal war and the Russian coup. Radiators of Russian literature say that the era of this poem was associated with the actions of the Japanese-Russian war.
A poem is written on the basis of opposition. The voice of a beautiful girl in white attire is like two drops of water to an angel, calmness and grace - all this is the antagonism of the cynical reality of fear, ruthlessness, barbarism and heartlessness during civil upheavals and wars. The face of the girl who sings in the poem communicates with the face of humming singing "carried away into the dome", and the white outfit in the poem is the image of a ray of hope that awakens hope in the soul, faith in tomorrow's silence and grace. The sadness of life representing the darkness of the church. Under the influence beautiful music, the darkness gradually crumbles to the sounds of captivating fairy-tale music.A light ray of light that falls on the girl's white robe represents hope, faith in a bright and calm life.
The second part of the poem turns out to be a line that separates hope, music, song and reality. The poet broadcasts that mortal existence is infinitely cruel; there is a place for sadness, misfortune, death, misfortune in it; while expanding the biblical expressions "Speak the truth through the mouth of a baby"
After the death penalty Winter Palace after countless obstacles, displays, manifestations Blok A.A. wrote this poem. To the poet himself, this literature carried an infinitely high price, this writer's effort was not crowned with success, after which Blok A.A. completely abandoned the writing of communist poetry. "The girl sang in the church choir ..." The poet especially finished every public performance with this verse.
Analysis of Blok's poem The girl sang in the church choir No. 2
Alexander Blok is a famous Russian symbolist poet. He grew up and was brought up in an intelligent family. In his early poems, the poet often expressed his patriotic and revolutionary thoughts. Blok was delighted with the idea of the equality of all people, idealistically believed in it. During youthful maximalism, he did not yet realize that any movement, revolution can not do without thousands of victims, or even much more.
The poet wrote this poem in 1905. It was then that the bloody events took place. Russia was swept by a wave of uprisings of ordinary workers, peasants against their oppressors. But the riots were mercilessly suppressed, drowned in blood. Blok witnessed all this and was sober, he began to think about whether even a good idea was worth many human lives. In addition to the revolution, he was also influenced by the events of the Russo-Japanese War, namely the Battle of Tsushima.
The poem, which we are considering through and through, is imbued with antithesis. Rudeness, cruelty and blood, the poet assigns a beautiful girl who sings beautifully and looks like an angel. Conventionally, the verse can be divided into two parts. The first contains the first three stanzas. They describe the beauty that the poet saw in the temple. The girl's singing is associated with prayer. The ship that has gone to sea must return, this is assumed in the motive. The girl's singing also symbolizes the power of art, which gives hope, faith in the future. There is darkness in the church, the poet used this symbol to show that all human life is often like darkness. But under the influence of music, beautiful art, the darkness dissipates. A thin beam on the girl's shoulder symbolizes a resurgent faith in a bright life.
The second part of the verse begins with the fourth stanza. Blok showed how dreams, hope, faith in beauty differ from real life. The crying child is the one who quickly sobers us up, showing the real cruel reality.
It was Alexander Blok's favorite verse. He always, when reading to the public, ended his speech with this particular poem.
Analysis of the poem The girl sang in the church choir according to plan
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In August 1905, Alexander Blok wrote the poem "The Girl Sang in the Church Choir":
The girl sang in the church choir
About all the tired in a foreign land,
About all the ships that have gone to sea,
About all those who have forgotten their joy.And it seemed to everyone that there would be joy,
That in a quiet backwater all the ships
That in a foreign land tired people
They got a bright life.
Speech in this the poem goes about the death of the Russian squadron in the battle of Tsushima in 1905. The first stanza refers us to the litany, a prayer for those who swim and travel. The Royal Doors are the entrance to the altar Orthodox Church, and the child involved in the Mysteries is, apparently, the image of the Savior.
The Tsushima battle for Blok is a hot topic, a fact of his contemporary reality, it is no coincidence that he writes about these events using dolnik, a poetic meter that became popular already in the 20th century (in the 19th century, few people dared to use it).
In the dolnik, the correct alternation of stressed and unstressed syllables is disrupted, and the sound creates a special, individual rhythm. Blok once admitted: "Every poem is a veil stretched out on the points of a few words." These key words are symbolic words, in this poem - “sang” or “sang”, “white”. The distance between keywords filled with sound, music. “The white dress sang in the beam,” it is important for Blok to keep the combination of the labial [b] or [p] and the sound [l] throughout the entire poem: “sang”, “white”, “dress”. This sound stream creates the music of the poem.
“There will be joy” is a quote from the Gospel of John, chapter 15, verse 11: “This I have said to you, that My joy may be in you, and your joy may be full.” “There will be joy” are the words of Christ, but in Blok they are framed by the words “And it seemed to everyone ...” And the Savior himself, the baby, knows that no one will come back. Ships that left and did not return are a very stable motif in Blok's poetry of 1905-1907; will come. The storm will destroy them. The hot wind carries death.
Thus, we are faced with the question of how the real fact - the death of the squadron in the Battle of Tsushima - is comprehended in Blok's poetry, which is not for nothing called symbolist poetry. For Blok, a symbol is always an earthly sign of another, unearthly world, always a sign of some high value that we on Earth can either guess or not notice. A ray, a storm, a snowstorm can become a symbol - everything can become a symbol and acquire a generalized historiosophical meaning.
The work of A. Blok absorbed the traditions of Russian poetry with extraordinary completeness, starting with V. Zhukovsky, M. Lermontov, A. Fet, A. Grigoriev, F. Tyutchev, Y. Polonsky, and ending with V. Solovyov. Block learned
or all best achievements Russian art, taking over from them the baton of humanism and the highest spirituality.
The poem "The Girl Sang in the Church Choir" is one of the most striking examples of Blok's philosophical lyrics.
The poem was written in 1905 and is thematically a response to the events of the Russo-Japanese War (“all ships are in a quiet backwater”). However, this is only an occasion, an external impulse to reflect on subjects of a more general nature.
The block of this period is the Strangers Block. The bright unattainable ideal, which in his earlier poems was the image of the Beautiful Lady, became more real. It would be more accurate to say that in the early poems, Blok was of little interest in reality in general. He sang the world of his dreams. Now his lyrical hero faces surrounding reality, and she amazes him with her dissonance with the ideal world. The theme of two worlds arises in the verses: the real world - base and vulgar, in which there is no place for high ideals, and the unreal world, the world of high spirituality and bright ideals. This conflict (romantic in nature) reaches the highest drama and intensity in Blok.
One of the poems of such a plan is the poem "The girl sang in the church choir."
From the first lines, a “church choir” appears before us and, more broadly, the theme of Christian mercy and compassion.
The girl sang in the church choir
About all the tired in a foreign land,
About all the ships that have gone to sea,
About all those who have forgotten their joy.
One of the main postulates of Christianity appears before us in a form "cleansed" from the theological husk: faith in a better, more just and merciful world, in harmony and happiness.
So sang her voice, flying into the dome,
And the beam shone on a white shoulder,
And each of the darkness looked and listened,
How the white dress sang in the beam.
And it seemed to everyone that there would be joy,
That in a quiet backwater all the ships
That in a foreign land tired people
They got a bright life.
The poet not only paints a certain picture, he empathizes with it, admires it. He seems to be listening to the liturgy. In addition, in the image of the "girl from the church choir" it is not difficult to see the features of the same Beautiful Lady, "The Wife Dressed in the Sun." Layering on Christian motifs, the image leads us to think about the Mother of God. And here it is primarily a compassionate, comforting image.
However, with the last quatrain, Blok sharply reinforces the theme of duality, which was barely outlined in the poem earlier.
And the voice was sweet, and the beam was thin,
And only high, at the royal doors,
Involved in secrets, the child cried
That no one will come back.
The Royal Doors is a place in the altar that is associated with Christmas and the baby Jesus. Thus, the child in Blok's poem is the Savior. However, it is not directly named, it emphasizes human features, involvement in our world. In addition, the Savior here is a child, that is, he still has to suffer on the cross, the redemption of human sins is ahead. It would seem that the very image of the Savior should give hope for a future rebirth, but this is not the case with Blok. The baby Jesus mourns people, mourns the world, which, despite the impending torments of the cross, he is not able to save. The theme of fate, the inevitable end of the world and all civilization, occupies a central place in the poem. It should be noted that the Symbolists, including Blok, accepted the idea of F. Nietzsche about the gradual degeneration of European civilization and its inevitable collapse under the blows of wild hordes, in which, unlike the Western community, vitality was preserved. Wild tribes will sweep away the corrupted civilization, and history will begin again - until the new civilization runs out of inner strength again and is again swept away by wild hordes. Symbolists and other "decadents" lived in anticipation of the collapse of civilization, many of them believed that the hordes would come from the east (for example, V. Solovyov with his idea of "pan-Mongolism"),
In the poem “A girl sang in the church choir...” eschatological premonitions (i.e. premonitions of the end of the world) subjugate the entire poetic space, filling it with sorrow and boundless compassion for the doomed.
Eschatological sentiments were embodied in the work of Blok with the greatest force compared to all his contemporary poets. They will sound in full voice during the years of revolutionary terror (the poems "The Twelve" and "Scythians"), during the rampant all-destroying elements, which Blok perceived as the collapse of the entire Western civilization, but at the same time blessed it with the name of Christ, sincerely believing that the collapse of the old world will be the beginning of a new life, a new round of human development.
The poem is saturated with metaphors and epithets, metonymy is used (“the white dress sang in the beam”). Uses Block and symbols - mostly related to the Christian religion ("church choir", "dome", "bright life", "royal gates", "child").
Blok's work had a huge impact on the work of poets of the 20th century, becoming one of the most noticeable phenomena in Russian lyrics of the era of wars and revolutions.
The girl sang in the church choir
About all the tired in a foreign land,
About all the ships that have gone to sea,
About all those who have forgotten their joy.
And it seemed to everyone that there would be joy,
That in a quiet backwater all the ships
That in a foreign land tired people
They got a bright life.
Analysis of the poem "The Girl Sang in the Church Choir" by Blok
In his youth, A. Blok adhered to the most advanced and revolutionary views. Youthful maximalism was fueled by numerous movements that declared the need for a violent coup. It seemed to the young poet that only by completely destroying the old world, it was possible to build a new happy society in which there would be no suffering and pain. The events of 1905 revealed to Blok the terrible picture that accompanies all revolutions. Instead of the triumph of freedom and justice, chaos reigned in the country. The phrase "The revolution is not made with white gloves" appeared before Blok in all its frank nudity. His ideal notions collided with torrents of blood and incredible cruelty. These events seriously shook the former beliefs of the poet. He realized that the price for imaginary happiness is too high.
In 1905, Blok wrote the poem "The girl sang in the church choir ...". It is believed that this happened as a result of the poet's actual visit to one of the temples.
The Orthodox Church sought to calm popular unrest and reconcile the warring factions. Church services with fervent prayers were held all over the country. The lyrical hero is present at such an event. He draws attention to one girl in the choir, who stands out for her innocence and purity. In the image of a girl, one can imagine the long-suffering soul of Russia, which prays for all its sons, regardless of their political beliefs. "Tired", "departed ships", "forgetting joy" - this is how the author described numerous participants in the revolution. For a girl, there is no difference between workers and gendarmes. Both are equally deceived and carried away by false ideas. The civil war, regardless of its outcome, will in any case end in massacres and destruction. The girl feels sorry for the whole people as a whole.
It seems to the author that a magical voice and a "white dress" are able to reason with people, direct them to the true path. In the souls of those gathered in the church, hope for the best is resurrected. But the image of a crying child that appears in the final returns to harsh reality. In church, you can temporarily forget about the surrounding horrors. They will eventually end anyway. But we must not forget about those who will never "come back." People who died for their ideas will not be resurrected and will not be able to appreciate how necessary their death was for Russia.
The poem "The girl sang in the church choir ..." is evidence of a serious fracture in Blok's soul. Since that time, he gets rid of revolutionary views and completely goes into symbolism.
A. Blok supported the ideas of the revolutionaries, but later he had an epiphany. The poet realized that justice cannot be done by such methods, it will bring too much pain to people. And he expressed this understanding in his poem "The girl sang in the church choir", an analysis of which is presented below.
Events leading up to the creation of the verse
The analysis of "The girl sang in the church choir" should begin with a brief background to its creation. As is known, Blok approved the ideas and views of the revolutionaries. But after the rallies of peasants and workers in 1905 were brutally suppressed, and the revolutionaries tried to achieve their goal in any way, regardless of people, the poet seemed to see clearly.
He realizes that the country has embarked on a terrible path, that a Civil War may begin. And people will be ready to cause each other suffering just because they have different beliefs. At that turbulent time for the country, services were constantly held in churches to save the Fatherland. It is possible that Blok expressed his impression of one of these services in his poem.
Composition features
When conducting an analysis of "The girl sang in the church choir," the composition of the poem should be described. It is based on an antithesis in which two parts are opposed. One of them describes the temple, the image of a girl and magical singing. The people who heard him, there is a hope that everything will be fine.
But the second part of the poet brings everyone back to reality. Suddenly, a child's cry is heard. As if the child has a premonition that the suffering of people has not yet ended. Block paid great attention to the description of the first part. Perhaps this was due to the fact that most people did not yet realize the full horror of the revolution. They continued to believe that peace would soon reign in the country and everyone would be happy.
And only a few, like a crying child, understood: the girl's song will not come true. More trials await people before peace and order reign.
The sound-rhythmic side of the work
One of the points of analysis of "The girl sang in the church choir" is the sound-rhythmic characteristic of the poem. It is written in the form of free or accent verse, which uses an alternation of different meters. Therefore, when reading, in order not to violate the rhythmic integrity, lines written in two-syllable size should be read more slowly.
In describing the temple and the image of the girl, the poet resorts to alliteration for sonorous and hissing sounds. This creates a sense of silence when reading, a sense of calm, hope. When the poet describes the crying of a child, he uses alliteration for voiced consonants. Listeners from a loud and sharp cry return to reality, from which they fled to the land of dreams, listening to the girl's singing.
image of the people
In the description of the parishioners, one can see the image of the Russian people, which should be mentioned in the analysis of the poem "The girl sang in the church choir." People came to the temple in the hope that they would find peace here. After all, prayer is all that was then left to ordinary people who did not participate in the revolution.
And in the poem there is no clear division among the parishioners. Because everyone who was in the temple, they are all one, all equal. It could be families that have already lost someone close to them. Or relatives of those who took an active part in the events of the revolution. And there were also people who simply prayed for the future of their Motherland, for the whole people, for peace to reign.
Therefore, the parishioners listened so attentively to the singing of the girl. For them, it was a beacon of hope. They believed that their prayer would be answered. Therefore, the cry of a child in that bright silence was all the more unexpected. As if only a child understood that the revolution was just beginning.
The image of a singing girl and a crying child
In the analysis of "The girl sang in the church choir" by Blok, it should be noted that the image of the girl, while singing, which is illuminated by the beam, occupies a central place in the poem. Her song about ships at sea is the epitome of the hope that they will return. Just like the people who take part in the revolution will return to their loved ones.
Her song is a ray of light that illuminated the lives of all the assembled parishioners. Her singing is filled with faith in a better future, it is beautiful because it comes from a pure heart. People, tired of rallies and civil war, felt calm and peace in their souls during the church service. The girl in Blok's poem is a symbol of hope, a brighter future.
But only a child, pure in soul and sinless in thoughts, discovers the secret: that the tragic events are not yet over. The child anticipates something terrible ahead, and from not understanding what exactly, he cries. He is sorry that the bright hopes of these people are not destined to come true. And the poet, one of the few who understands the reason for this crying, realizes that the rallies of 1905 are only the beginning of the terrible events of the revolution.
Literary devices and tropes
One of the points in the analysis of the verse "The girl sang in the church choir" is the literary tropes that the poet used. Blok used metaphors, syntactic parallelism, epithets and anaphoras to give even more expressiveness to the images, to emphasize the opposition of the two parts. The musical coloring of the work is given by assonances, due to which the reading of the lines turns out to be melodious.
Analysis of the text "The girl sang in the church choir" allows readers to see the poet's desire to show the duality of this world. This work was dedicated to the victims of the shooting at the Winter Palace. For A. Blok, it was very expensive, and he ended each of his public readings with this particular poem.
